Double Feature Review: Colossus and the Amazon Queen Ed Fury movie review Parrots Rod Taylor Wild Women of Wongo
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The Wild Women of Wongo along with Colossus and the Amazon Queen make up the double feature for this month’s Double Feature Review podcast. Also featured in this episode are comments on the television program House MD, the movie Dawn of the Planet of the Apes, and the invention of pornography.
The one time stand-up comic and screen writer Jim Farris begins the episode by complaining that he is too often introduced with a list of his accomplishments from years gone by whereas he’d prefer to be introduced with a mention of his current endeavor to enact the Statler Brother’s 1969 Flowers on the Wall in real time via webcam. Most of Farris’ complaining has been cut from this episode.
Douglas Lain is available by appointment only.
Diet Soap Update: catholicism columbo confession Criticism former people peter falk prisoner psychoanlaysis sin slavoj zizek
Peter Falk’s Columbo is the subject this week and Steven A. Michalkow returns. Steven is an editor at Former People and a podcaster in his own right as the Former People film podcast continues.
On the subject of Columbo and psychoanalysis Slavoj Zizek wrote: In the TV-series Columbo, the crime (the act of murder) is shown in detail in advance, so that the enigma to be resolved is not that of “whodunit?”, but of how the detective will establish the link between the deceitful surface (the “manifest content” of the crime scene) and the truth about the crime (its “latent thought”), how he will prove to the culprit his or her guilt. The success of Columbo thus attests to the fact that the true source of interest in the detective’s work, is the process of deciphering itself, not its result (the triumphant final revelation “And the murderer is…” is completely lacking here, since we know this from the very outset).
It’s Saturday, July 12th, 2014, and I’m Douglas Lain the host of this podcast.
I’d like to urge regular listeners to the Diet Soap podcast to find the paypal buttons at dietsoap.podomatic.com. Also, the podcast is also available via iTunes and I urge people who enjoy this show to consider leaving a review at iTunes in lieu of a donation.
Diet Soap Update: brocialism identity jacobin kendizor mansplaining
Amber A’Lee Frost is the guest this week and we discuss her essay “Bro Bash” which was recently published in Jacobin magazine. The essay created quite a stir in twitter social justice circles as a criticism of Sarah Kendzior was mischaracterized and this led to false accusations. Rather than try to explain the whole debacle in my own words I’m going to refer to a helpful info-graphic and I’ll provide a link to it in this week’s show notes.
This week I’d like to thank daniel w and david for their one time donations, and also thank Ted F, Jacob L, Andy Marshall, John Spillane, and John L for their regular monthly donations. And I’d like to urge regular listeners to the Diet Soap podcast to find the paypal buttons at dietsoap.podomatic.com. Also, the podcast is also available via iTunes and I urge people who enjoy this show to consider leaving a review at iTunes in lieu of a donation.
Double Feature Review: alan arkin bob newhart Catch 22 charles grodin film criticism henry fonda joseph heller Lauren Becall natalie wood Sex and the Single Girl tony curtis
Joseph Heller’s screenplay Sex and the Single Girl and the movie version of his novel Catch 22 are put under the microscope in this episode of the Double Feature Review. Jim Farris and Douglas Lain are the hosts of what is sure to become the most important film review podcast of all time.
Back in 1964 AH Weiler, writing for the New York Times, declared that Sex and the Single Girl was “not the worst picture ever made, girls and boys. No kidding.” While in 1970 Roger Ebert wrote for the Chicago Sun-Times that “Mike Nichols’ “Catch-22″ is a disappointment, and not simply because it fails to do justice to the Heller novel.”
Jim and Doug appreciated these movies considerably more than Weiler or Ebert appreciated the films originally. As a Double Feature the films highlight Heller’s vision despite the differences in style, mood, theme and intent.